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Musician Mr Drew urges Ghana's music industry to make room for lesser-known artistes

The Case hitmaker says the same few names crowd event line-ups while capable newcomers wait for a platform.

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Pinned summary · as of

Ghanaian musician Mr Drew, known for the hit Case, has appealed for a wider spread of opportunity in the local music scene. Speaking on Onua FM, he argued that too much of the spotlight stays on a small circle of established performers while other gifted artistes go unheard.

What we know

  • In an interview on Onua FM, Mr Drew asked for a more inclusive music industry, arguing that attention is concentrated on a handful of established artistes.
  • He said many talented musicians stay unnoticed because the same names keep taking the big events, performances and industry platforms.
  • Mr Drew described the industry as large enough for everyone, yet presented as if it depends on a few people, which he said holds back its growth.
  • He complained that familiar acts fill event bills again and again, leaving little space for others to show what they can do before bigger crowds.
  • Mr Drew said that giving more artistes room to perform, promote their songs and find audiences could bring fresh talent to light and help Ghanaian music grow.

What's disputed / unconfirmed

  • Pulse Ghana and ZionFelix quoted Mr Drew as cautioning that the sector's dependence on a small circle leaves every other artiste exposed if that circle stumbles. The Publisher Online did not carry the remark.
  • ZionFelix reported Mr Drew's view that promoters and other industry players could shift the pattern by deliberately reserving slots for upcoming acts; other publications did not report this.
  • The Publisher Online reported that Mr Drew dated the interview to 24 September 2026 and said local royalties are weak, that artistes spend heavily on promotion yet earn little from them, and that most musicians' income arrives from abroad. These points were not reported by other publications.

Why it matters for Ghana

Many young performers in Accra, Kumasi and other towns depend on festival slots, shows and radio exposure to build a following. If the same acts fill the biggest stages, newcomers have fewer chances to earn from their work. Mr Drew's remarks add to a wider conversation among artistes about how opportunity is shared in Ghanaian music.

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